they saw an actor who refused to compromise with his Americanism turned away without a job, while they who-pretense or not-vowed fealty to Communism, were given sustenance and op portunity. The Communistdominated “Federal Theatre Project” gave them both-if they were willing to cry ‘'comrade!” No oubt many of those youngsters secretly said to emselves: "Fll say 'comrade' NOW, but to blazes ivith you after I hit the top”-and meant it at the time but they were in their formative years. It is well to bear in mind that those were the years when young and ambitious John Garfields, Gene Kellys, Orson Welleses, etc., etc., were hungrily seeking not only opportunities for their talents, but beans for their stomachs. Ditto promising young Directors, actors and actresses’. Pl.yvrighu, veler.u ,„d L bryonic, were coaxed or coerced into Party, memberships or Red From affiliations. gned to cd-bolding Commie^ 1 Fellow-traveler. job vutb the “Project.” Rep™,] Director*™ »ere. Thus, with its very incent.^ the "Federal Theatre Project'” became aTpav^ »ng ground for Communism.
#FERDI ALI ARNAZ PROFESSIONAL#
Lesser thespians swallowed their professional pride and donned soda jerker jackets, waitress - 16. but even those jobs were few and far between. Actors, who prior to the depression had scornfully designated $500 a week as peanuts, were hungrily grabbing for parts at the Actors’ Equity Minimum salary of $40 a week- and calling it JUMBO peanuts. “Hit” was a forgotten word on Broadway in the early 1930s.
It came with the creation of the "Federal Theatre Project.” The Great Depression hit no business as hard as Show business.
That setting took place very early in President Roose velt’s first term. The treason committed by the Reds in Holly wood would not have occurred-at least, not to the incredible degree of it-if some one of greater stature had not set the stage for it. It is only for the purpose of establishing the time and man ner in which the Reds were given their opportu nities to achieve control of Hollywood and of all of our mass communications media that a few of the Rooseveltian betrayals are herein recorded. Besides, this is not a ome to the black memory of Franklin Delano Roosevelt I will leave that job to others-to those others who-insist on depicting him as a thaumaturgist-and to those others who will trace their findings with greater fidelty to the truth. Oo weR n° f CC ^ ^ Paees‘ 11 is 811 too well known. «nd vlthS llfo o?Cr °f * Pred'“SAmerica since! Producer of “PORK (.HOP a Film that vilifies American Soldiers in the Korean War-uhicli Ami «c/«rr GREGORY PECK:-(Actor-Producer) Cited by Illl.AC and CUAC:-Sponsor Director and/or Member of MANY Red (routs. In recent years fcs* has hern producing'Films such as “SPARTACL'S,” which not only contain CoinHimiijlpropaganda, but serve as “come-back” vehicles for Reds sr had of Hllywood, such as Dullon Trumho, Lewis E. S (Actor-Producer) Cited by HU AC:-1) Committee For The dment 2) Hollywood For Sane. DOCUMENTATIONS THEY ARE BRINGING THE REDS BACK INTO HOLLYWOOD!
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